I wanted to solve the problems I could see at a glance: how to bring Marvin’s character These details (or flaws) could be part of what made Marvin and its charm, but I thought the design could benefitįrom a fresh perspective. Creating more white space above the curve felt inconsitent with the intent After closer inspection, the curve on the A and V (which looks like it’s simply been flipped) leans Of the construction or not, letters like P, R, C, K, Y were much narrower than the rest, producing an uneven rhythm Going away from Roman proportions and with the limitations of a seemingly modular typeface constantly re-usingīits of itself to build itself, Marvin had a few letters that felt awkward. Narrow, plump, letters – a structural decision that can help to reduce the white space between the shapes. Maybe to support that trend, Marvin had generally Majority uses the Lubalin-esque tight-not-touching style. I only managed to find a handful of examples in use but the vast (1886) revived by David Berlow (1992) exhibits a major source of inspiration. ![]() It seems to draw inspiration from a variety of styles. You’ll find clues to its origin in the Art Nouveau movement, but not only, as That’s why I decided to look for what made it magical to my eyes. Everything out there was poor and somehow Unfortunately there was no proper digital version available. But more importantly, I could sense something mysterious, and maybe even comical, hiding I felt a hint of science fiction about it, only realising later that it had been usedįor that purpose. ![]() Marvin doesn’t really tick all these boxes but it somehow captured my imagination as Something that’s a bit like Kabel, sorta like Serif Gothic, and with Ideally, you’d want a classic with a twist. The quest for a typeface that could tread the lineīetween a modern look and a retro feel had begun. ![]() The well established one is unfortunately also associated toĪ lot of clichés that put off some otherwise interested people. To reach a new audience, SF needs a new image. These typefaces, along with the often lavish illustrations, have given science fiction its look in the collective ![]() Proved to be the typographical staples of the genre (together with a collection of more unusual ones).
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